SAMSUNG UN YENİ LED TV Sİ ES8000 (Çift Çekirdek ,Ses ile kontrol,kamera...)

DARTHANZİ · 2012-01-20T11:24:57.0000000+03:00

Samsung Ces 2012 fuarında 2012 tvlerini tanıtmış.Artık tvlerde çift çekirdekli işlemci,ses ve hareket ile kontrol görüyoruz.Hayırlı olsun diyelim. $.getJSON("https://gdata.youtube.com/feeds/api/videos/5lryRkWCM5k?v=2&alt=jsonc&callback=?", function(json){$("#ytbaslik_5lryRkWCM5k_56791209").html(json.data.title);$("#ytsure_5lryRkWCM5k_56791209").html(sToMinutes(json.data.duration));});

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quote:

Orijinalden alıntı: Mimaron

eger gecen seneki D7000ve D8000 serilerinde olan clouding, sorunu cozulduyse ne mutlu..

Yoksa yıne aynı baslıkları gorecegız demektır..

Umarım cozulmustur de butcesı uygun olanlara alternatıf olur..

Alıntıları Göster

tv cort çıkmış

d8000 den daha kötü

http://www.digitalversus.com/tv-television/samsung-ue55es8000-p12984/test.html

. That's just above average.
2D Image Quality
There's no point beating around the bush—image quality in the ES8000 didn't blow us away. As is often the case, out of the box, colour reproduction is completely crazy, with an average Delta E of 7.3 (the difference between accurate colours and those displayed onscreen—the lower the better). The gamma (grey scale) isn't particularly balanced either, with light greys that are overexposed to white and dark tones that block together in dark masses.

Switching to Movie mode is therefore highly recommended. Note that Movie mode automatically sets the colour temperature to Warm 2, which is too red for our tastes. We therefore recommend switching to Warm 1, which brings the colour temperature back to 5940 kelvins (6500 K is the ideal value).

Colour reproduction in Movie mode: average delta E = 3.1

Once you've done that, you can enjoy accurate colours on the UE55ES8000, as with these settings, we measured an average delta E of 3.1 with no dominant overtones.

In Movie mode we measured a contrast ratio of 1960:1

One rather surprising thing about this TV is its contrast ratio. Dynamic backlighting has been particularly well handled since last year, so it no longer does crazy things to the gamma. The new and improved dynamic backlighting system in this TV makes things even better, as the variations in brightness between different images have been completely wiped out. In our tests, switching from a 1% white test card to a 35% white test card didn't affect the brightness of the white, which stayed at 212 cd/m². The only slight blip is that the contrast ratio is lower in this TV than in the D8000 model from 2011—the black has gone from 0.05 cd/m² to 0.11 cd/m², which makes for a contrast ratio of 3200:1 in the D8000 compared with 1960:1 for the ES8000. That's quite disappointing for a TV that's supposed to be Samsung's flagship model!

Another disappointing thing about this 2012 TV is that the it doesn't have the same excellent levels of consistency in display quality across the screen as we saw in the D8000. We measured the average discrepancy at 10% over the whole screen, compared with 4% for the previous model. And, to top it off, screen viewing angles are now even tighter in the ES8000, losing 1 point to end up with a final score of 1.2/5 in that particular category!

For watching films, there's been no change to the SD upscaling or HD display quality. SD upscaling is regularly prone to aliasing effects, and latest generation games consoles (PlayStation 3 or Xbox 360) will do a much better job than this TV if you want to watch SD DVDs. HD quality is, however, perfect.

Note that anyone looking for super-smooth images should leave the Motion Plus (motion interpolation) setting on 'Standard'. At this setting, judder is totally removed with no degradation in quality, whereas beyond that, digital artefacts start to appear behind moving objects. Finally, if the image seems too smooth and fluid for your liking (the 'video' effect), the 'Clear' setting will be largely sufficient.
Clouding

The model we tested suffered from clouding. Although the effect is less marked than in the D8000, it's still quite annoying. Bright blotches proved particularly visible in the corners and the middle of the screen.
3D Image Quality
Samsung supplies two pairs of active shutter 3D glasses with this TV. Plus, you won't have to shell out too much cash to kit out all the family with a pair, as you can pick up the non-rechargeable glasses for about £20. These are comfortable to wear (31 grammes) even over the top of regular glasses.

This TV displays good quality 3D. The image is sharp and well defined—this is genuine Full HD 3D. Depth and objects protruding from the screen are well rendered but, as you can see in the images below, crosstalk is something of a problem, with a ghost image that's more marked than in the D8000. The UE55ES8000 therefore loses a star in this field.

Below—the result as seen through 3D glasses (Top: Samsung UE55ES8000 / Bottom: Samsung UE55D8000)

With a perfect result, we shouldn't see any trace of the 'R' frame on the left, and, vice versa, none of the 'L' frame on the right. For the time being, only plasmas from Samsung and Panasonic get this right.

Even if Samsung does have the best 2D-to-3D conversion function of the lot, the actual onscreen result is still a far cry from the quality of genuine 3D content—just a slight impression of depth is brought to the image. It's barely worth putting the 3D glasses on for that!

< Bu mesaj bu kişi tarafından değiştirildi filips -- 12 Nisan 2012; 0:12:32 >

quote:

Orijinalden alıntı: filips

tv cort çıkmış

d8000 den daha kötü

http://www.digitalversus.com/tv-television/samsung-ue55es8000-p12984/test.html

. That's just above average.
2D Image Quality
There's no point beating around the bush—image quality in the ES8000 didn't blow us away. As is often the case, out of the box, colour reproduction is completely crazy, with an average Delta E of 7.3 (the difference between accurate colours and those displayed onscreen—the lower the better). The gamma (grey scale) isn't particularly balanced either, with light greys that are overexposed to white and dark tones that block together in dark masses.

Switching to Movie mode is therefore highly recommended. Note that Movie mode automatically sets the colour temperature to Warm 2, which is too red for our tastes. We therefore recommend switching to Warm 1, which brings the colour temperature back to 5940 kelvins (6500 K is the ideal value).

Colour reproduction in Movie mode: average delta E = 3.1

Once you've done that, you can enjoy accurate colours on the UE55ES8000, as with these settings, we measured an average delta E of 3.1 with no dominant overtones.

In Movie mode we measured a contrast ratio of 1960:1

One rather surprising thing about this TV is its contrast ratio. Dynamic backlighting has been particularly well handled since last year, so it no longer does crazy things to the gamma. The new and improved dynamic backlighting system in this TV makes things even better, as the variations in brightness between different images have been completely wiped out. In our tests, switching from a 1% white test card to a 35% white test card didn't affect the brightness of the white, which stayed at 212 cd/m². The only slight blip is that the contrast ratio is lower in this TV than in the D8000 model from 2011—the black has gone from 0.05 cd/m² to 0.11 cd/m², which makes for a contrast ratio of 3200:1 in the D8000 compared with 1960:1 for the ES8000. That's quite disappointing for a TV that's supposed to be Samsung's flagship model!

Another disappointing thing about this 2012 TV is that the it doesn't have the same excellent levels of consistency in display quality across the screen as we saw in the D8000. We measured the average discrepancy at 10% over the whole screen, compared with 4% for the previous model. And, to top it off, screen viewing angles are now even tighter in the ES8000, losing 1 point to end up with a final score of 1.2/5 in that particular category!

For watching films, there's been no change to the SD upscaling or HD display quality. SD upscaling is regularly prone to aliasing effects, and latest generation games consoles (PlayStation 3 or Xbox 360) will do a much better job than this TV if you want to watch SD DVDs. HD quality is, however, perfect.

Note that anyone looking for super-smooth images should leave the Motion Plus (motion interpolation) setting on 'Standard'. At this setting, judder is totally removed with no degradation in quality, whereas beyond that, digital artefacts start to appear behind moving objects. Finally, if the image seems too smooth and fluid for your liking (the 'video' effect), the 'Clear' setting will be largely sufficient.
Clouding

The model we tested suffered from clouding. Although the effect is less marked than in the D8000, it's still quite annoying. Bright blotches proved particularly visible in the corners and the middle of the screen.
3D Image Quality
Samsung supplies two pairs of active shutter 3D glasses with this TV. Plus, you won't have to shell out too much cash to kit out all the family with a pair, as you can pick up the non-rechargeable glasses for about £20. These are comfortable to wear (31 grammes) even over the top of regular glasses.

This TV displays good quality 3D. The image is sharp and well defined—this is genuine Full HD 3D. Depth and objects protruding from the screen are well rendered but, as you can see in the images below, crosstalk is something of a problem, with a ghost image that's more marked than in the D8000. The UE55ES8000 therefore loses a star in this field.

Below—the result as seen through 3D glasses (Top: Samsung UE55ES8000 / Bottom: Samsung UE55D8000)

With a perfect result, we shouldn't see any trace of the 'R' frame on the left, and, vice versa, none of the 'L' frame on the right. For the time being, only plasmas from Samsung and Panasonic get this right.

Even if Samsung does have the best 2D-to-3D conversion function of the lot, the actual onscreen result is still a far cry from the quality of genuine 3D content—just a slight impression of depth is brought to the image. It's barely worth putting the 3D glasses on for that!

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bunun Türkçesi nedir.

Sayfa: 1 2

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