Gündeme dair (45. sayfa)

Motorsiklet ehlieyeti alıp ve pratik yaparak kullanmayı öğrenikden sonra, kuryelik yapmak için işlere başvuracam. Akıllı telefon da lazım tabi (Navigasyon için). Ben de o da yok. Ben eski tuşlu telefon kullanıyorum. Mp3 çaları var, Kamerası var. O kadar.

Müziği dinlememin filmle bir ilgisi yok. Filmi izlemedim. Müzik son derece güzel (çok melankolik, depresif).

Francis Lai, sevdiğim bir Fransız Besteci.

1970 yapımı Love Story filminin müziğini de bu adam bestelemiştir.

Adagio in G Minor, 1950'li yıllarda bestelenmiş. Barok müziği değil. 20.yüzyıl klasik müziği.

Thomas Albinoni'nin müziği değil. Albinoni'nin eksik (pek çoğu kaybolmuş) bir eserinden sanıyorum esinlenerek 1950'li yıllarda yazılmış bir müzik. Bu yüzden sanki onun müziğiymiş gibi Albinoni'nin ismini yazıyorlar fakat Adagio in G minor olarak bildiğimiz müzik, 1950'li yıllarda İtalyan bir besteci tarafından yazılmış bir müzik.  

Bestecisi: Remo Giazotto

Ortada bir eser yokmuş ki. Baştan yaratılmış.

Yüzde 10'nu Albinoni ise, yüzde 90'nı Remo Giazotto.

Yabancı klasik müzik forumunda takılıyorum ben de.

Albinoni'nin müziklerini dinlersen eğer, Adagio in G Minör'ün yanında çok trash kalıyorlar.

HARMONICO101youtube

TOMASO ALBINONI (1671 - 1751) Concerto No. 2 for oboe and strings in D minor Op. 9 1. Allegro e no presto 2. Adagio (3:55) 3. Allegro (7:55) Performed by Il Fondamento Directed by Paul Dombrecht, oboe http://www.ilfondamento.be/ "Piazza San Marco with Jugglers" by Luca Carlevaris (1663 - 1730) *Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany. In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe. Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich. Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes. He wrote some fifty operas of which twenty-eight were produced in Venice between 1723 and 1740, while there are a few modern sources attributing - probably inaccurately - 81 operas to the composer. Today he is most noted for his instrumental music, especially his oboe concertos. He is thought to have been the first Italian composer to employ the oboe as a solo instrument in concerti (c. 1715, in his masterful 12 concerti a cinque, op. 7) and the first composer globally to publish such works, while it is likely that the first existing concerti featuring a solo oboe came from German composers such as Telemann or Händel, although probably unpublished. In Italy, Alessandro Marcello published his well known oboe concerto in D minor a little later, in 1717. Albinoni has also been fond of the instrument regarding chamber works. His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes and constantly used his basses for harmony exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library, thus little is known of his life and music after the mid-1720s. The Albinoni Adagio in G minor is a 1958 composition entirely composed by Remo Giazotto, which Giazotto claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.

https://www.youtube.com/watch?v=LjgndGuy77o

Sen koronaya inanmiyor musun? Aşısını neden olmuyorsun?  

Barok döneminde benim 2 favori bestecim var. Vivaldi ve Bach. Barok dönemindeki diğer besteciler, bu ikisinin çok gerisinde kalıyor.

Albinoni'nin müzikleri bence çok çitoz gibi kalıyor Vivaldi ve Bach müziklerinin yanında.

maccibomayoutube

ANTONIO VIVALDI ( L'estro armonico Op. 3 )

https://www.youtube.com/watch?v=H2RxXCRDrf0

Marcos Oliveirayoutube

It goes deep into your soul. It is the most beautiful involvement of a interpreter with a work. She was in a trance. She was out of this world. No words. Just watch, listen and get out of this world for some minutes with her.

https://www.youtube.com/watch?v=aPAiH9XhTHc

Erkek arkadaş var. Şu anda görüştüğüm bir iki kişi var ama eskiden daha çok oldu (erkek arkadaş). Kanka diyebileceğimi çok samimi olduğum bir kişi var sadece. Benim hakkımda her şeyimi bilir kendisi.

Ama alkol alkol aldığım zaman benle görüşmez. O konuda çok katıdır. Ayık olduğum zaman sadece benle görüşür. O yüzden içtiğim zaman yalnız içerim. Bu konuda taviz vermez.