Panzehir (2014) | Alper Çağlar - Emin Boztepe - Cüneyt Arkın (5. sayfa)

quote:

Orijinalden alıntı: Big-Long-Pink-Strong

Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım).

An astonishing surprise from Istanbul

16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews

Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit.

Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men.

With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues.

Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone.

The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson".

I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook.

quote:

Orijinalden alıntı: MERT*

quote: Orijinalden alıntı: Big-Long-Pink-Strong Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım). An astonishing surprise from Istanbul 16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit. Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men. With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues. Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone. The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson". I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook.

Eminim başkaları da türk sinemasından böyle değişik bir filmin çıkmasına şaşırmıştırlar.

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Orijinalden alıntı: lil wayne22

Hala gitmeyen varsa aşırı tavsiye edilir arkadaşlar. Gitmeden önce lütfen önyargılarınızı bir köşeye bırakın, yok özenti film yok şöyle yok böyle. Türkler aksiyon filmi yaptı yahu daha ne olsun?

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Orijinalden alıntı: alperthecaglar

Beyler selam ben filmin yönetmeni Alper Çağlar. Hayır geyik değil bu. Esas hesabım bu değil ama senelerdir DH'ye üyeyimdir anonim post ederim.

Bizim filmlerin ekibi hep küçük olur, kurgusunu tamamen kendi elle kurduğumuz hayvani custom PC'lerde yaparız, DAĞ'da da sizlere sevgiyle jest yapıp bir röportaj yapmıştık, aynı yolun yolcusuyuz.

Bu haftaiçi Panzehir'in grubunda güzel sanal bir söyleşi yapacağız, filmle ilgili, sizleri de bekleriz özellikle. Geçen seneki Donanım Haber röportajımızda acayip güzel sorular gelmişti editörlerinizden ama bu sefer herkese açık tutacağız.

Monkey Island'ın bestecisi Panzehir'in orkestral müziklerini yaptı daha ne diyeyim. :))

Panzehir Resmi Facebook Grubu

Sevgiler, saygılar.

--Alper

quote:

Orijinalden alıntı: Big-Long-Pink-Strong

Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım).

An astonishing surprise from Istanbul

16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews

Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit.

Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men.

With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues.

Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone.

The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson".

I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook.

quote:

Orijinalden alıntı: muratkaya

quote: Orijinalden alıntı: lil wayne22 Hala gitmeyen varsa aşırı tavsiye edilir arkadaşlar. Gitmeden önce lütfen önyargılarınızı bir köşeye bırakın, yok özenti film yok şöyle yok böyle. Türkler aksiyon filmi yaptı yahu daha ne olsun?

Fragman çok merak uyandırıcıydı. Sizin bu yorumunuzu okuyunca daha önceki yerli aksiyon filmi denemelerinin yaşattığı hayal kırıklığına inat bu filme gideceğim. Şimdi bileti alıyorum.

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Orijinalden alıntı: pokezoom

quote: Orijinalden alıntı: Big-Long-Pink-Strong Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım). An astonishing surprise from Istanbul 16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit. Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men. With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues. Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone. The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson". I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook.

biri şunu Türkçe ye çevirebilir mi ? çeviremese bile özetle ne demek istiyo, onu da anlatsa yeter.

quote:

Orijinalden alıntı: pokezoom

quote: Orijinalden alıntı: Big-Long-Pink-Strong Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım). An astonishing surprise from Istanbul 16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit. Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men. With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues. Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone. The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson". I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook.

biri şunu Türkçe ye çevirebilir mi ? çeviremese bile özetle ne demek istiyo, onu da anlatsa yeter.

quote:

Orijinalden alıntı: muratkaya

quote: Orijinalden alıntı: pokezoom quote: Orijinalden alıntı: Big-Long-Pink-Strong Fransa da şans eseri filmi izleyen bir İngiliz'in yorumu(filmin imdb sayfasından kopyaladım). An astonishing surprise from Istanbul 16 May 2014 | by Brian Clark (United Kingdom) – See all my reviews Having watched this film in France due to a freak coincidence I believe I have found a new favorite of mine. You wouldn't expect Turkey to create such a compelling film. This is not because of their talent but rather because of their financial inclinations for "slapstick" and "melodramatic" films which saturate their market. Trapped between art-house films and low-quality populist junk, "Antidote" is an astonishingly ambitious and powerful criminal action drama. The likes of which only really exist in Korea or in very early Scorsese grit. Kadir, a jaded hit-man who is stubbornly loyal to his machiavellian foster father and mob boss Cemal is a Shakespearean figure of tragedy and circumstance. The details surrounding his molding into a consummate killer go back nearly 40 years to when Turkey was transitioning from a mainly rural, isolationist economy to a rising regional power. Although this film is formed in a "comic book" manner, where the characters are only briefly detailed they create a great appetite for the viewer. You simply want to know *more* about these well sculpted criminals and evil men. With epic shots of Istanbul as a cold and unforgiving megacity, well crafted camera blocking and an American taste in editing and colors; the director and producers have managed to craft something unique and gripping with the limited means they must have had compared to Hollywood. This show ingenuity and initiative and it's the sort of thing that makes Hollywood grab talent from European countries with very limited film economies. Sure there are some rough edges and post- production shortcuts taken, but those are minor issues. Everything from the minimal love story to the "buddy cop" dynamic between the undercover cop and the titular hit-man is both funny and well placed. Amidst all the violence and darkness it allows the audience to identify with someone. The most pleasant compliment I can pay to this film is that the cinema cashier in Paris grudgingly told me "I wish we could make films like this again, we used to in the 90s with Besson". I would be surprised if the director of this film isn't helming American films in 5 years time, à la Inarritu or Park Chan-wook. biri şunu Türkçe ye çevirebilir mi ? çeviremese bile özetle ne demek istiyo, onu da anlatsa yeter.

Şu an çok müsait olmadığım için birebir çeviremeyeceğim ama etkileyici bir suç ve aksiyon draması olduğundan, normalde Türk filmlerini çoğunlukla düşük bütçeli ağır sanat filmlerinden ve popülist çöp filmleriyle tanıdığından, aslında yetenek olduğundan ancak maddi durumlar nedeniyle çok iyi işler çıkarılamadığından bahsetmiş.

Ancak bu filmin hikayesiyle ve özellikle karakterlerle dikkat çekici olduğunu söylemiş. Kanka polis ile tetikçi ikilisinin eğlenceli bir şekilde filme yerleştirildiğini, İstanbul'un harika manzaralarla soğuk ve acımasız bir megaşehir olduğunu güzel yansıtmış diyor.

Filmle ilgili en iyi yorum da bilet aldığı satıcı kızın 'umarım biz Fransızlar da bir gün eskiden olduğu gibi böyle filmler çekeriz' demesiydi demiş.